Get the new album here: http://verve.lnk.to/LongAgoAndFarAway
A live concert recorded on November 5, 2007 at the Christuskirche in Mannheim, Germany, during the Enjoy Jazz Festival.
Jan Garbarek / Egberto Gismonti / Charlie Haden
Magico – Carta De Amor
Jan Garbarek: tenor and soprano saxophones, flute, percussion
Egberto Gismonti: guitars, piano
Charlie Haden: double-bass
This all-star trio came together in the late 70s/early 80s and made just two magical studio recordings for ECM. The band performed in Europe during the few years it existed. ECM producer Manfred Eicher discovered, after more than three decades in the ECM archive, an astonishing live recording of the band from a concert in his home town of Munich which he has now newly mixed in 96 kHz/24 bit.
Purchase @ amazon.com
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When my way grows drear
Precious Lord linger near
When my life is almost gone
Hear my cry, hear my call
Hold my hand lest I fall
Take my hand precious Lord, lead me home
Those lyrics haunted my head as I encountered the instrumental version of “Take My Hand, Precious Lord” that opens Come Sunday, a new Emarcy release from bassist Charlie Haden and pianist Hank Jones. The reasons should be obvious: Jones, who was 91 when the album was recorded, in February of 2010, died just three months later. His passing was widely mourned in the jazz community, especially by those musicians, like Haden, who had counted him among their dearest elders.
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Courtesy JazzTimes.com
“Chris (Anderson) is risking his life with every chord, that’s how much it means to him. He has such a reverence for beauty, he plays like an angel.”
– Charlie Haden
This recording marks a very important occasion for the two musicians, and is the result of three days of intensive rehearsal and recording. The venue was Cami Hall in New York, chosen for its location, acoustic properties, character and charm. This album is a feat of improvisation and none of the spontaneity is lost through the recording of their music on to tape.
Charlie Haden & Chris Anderson: None But The Lonely Heart
“Everything That Lives Laments” circa 1972
One of the rare gifts that Charlie always brings to any musical context is his ability to fit in and shape whatever is being played on the bandstand regardless of the instrumentation and repertoire.
Here is a great illustration of Charlie’s magical aura featuring Toots Thielemans, David Sanborn, Nick Cave and others performing the Jimi Hendrix classic “Hey Joe.”
For those who may have missed Charlie’s NEA Jazz Masters Award thank you speech in January, here it is:
“THANK-YOU NEA FOR THIS WONDERFUL AWARD. I’M DEEPLY HONORED.
I’VE ALWAYS FELT VERY FORTUNATE TO HAVE BEEN BORN IN THIS COUNTRY SURROUNDED BY THE BEAUTIFUL MUSIC THAT CAME FROM THE APPALACHIAN AND OZARK MOUNTAINS WHERE I WAS BORN.
I STARTED SINGING ON MY FAMILY’S RADIO SHOW WHEN I WAS TWO YEARS OLD. MY MOTHER USED TO TAKE ME TO THE AFRICAN AMERICAN CHURCH ONE OR TWO SUNDAYS A MONTH SO THAT WE COULD EXPERIENCE THE MUSIC. IT WAS SO INSPIRING.
MY FATHER TOOK ME TO MY FIRST JAZZ CONCERT IN SPRINGFIELD, MISSOURI WHEN I WAS THIRTEEN. A LOT OF GREAT JAZZ MUSICIANS CAME FROM MISSOURI: CHARLIE PARKER, MILES DAVIS, JIMMY BLANTON.
I LEARNED AT A VERY YOUNG AGE THAT MUSIC TEACHES YOU ABOUT LIFE BECAUSE WHEN YOU ARE IN THE MIDST OF IMPROVISATION THERE IS NO YESTERDAY AND NO TOMORROW – THERE IS ONLY THE MOMENT YOU ARE IN.
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I THANK THE NEA FOR THEIR VITAL SUPPORT OVER THE YEARS. I THANK MY FAMILY – MY PARENTS AND SIBLINGS WHO BEGAN MY MUSICAL JOURNEY WITH ME; MY SON JOSH, AND DAUGHTERS, PETRA, TANYA AND RACHEL; MY GRANDSONS SAMMY, TOMMY AND CHASE.
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I AM TRULY HUMBLED.”
Charlie Haden, January 10, 2012
In 1995, jazz legends bassist Charlie Haden and pianist Hank Jones recorded a milestone of eloquent music, Steal Away, based largely on traditional spirituals and folk songs. The New York Times called the Grammy-nominated duo album “exquisite,” while another reviewer wrote, “This is music by two masters, immersing themselves in a profound stream of American music.”
Nearly 17 years later arrives the luminous follow-up, Come Sunday, recorded in February 2010 shortly before Jones passed away. It’s another magical and reverent collaboration that plumbs the lyrical and transcendent depth of hymns, carols, spirituals, folk songs and classic tunes.
Photo credit: Kris King
Greetings Gates* and all you music lovers – and if you weren’t one before you entered the site, hopefully you will be one upon leaving us.
It was time to update this site with the ability to respond in a timely fashion to the ever-changing world. We have a great team ready to
inform you.
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I hope you find this new website both inspiring and informative – it goes along with our commitment to making beautiful music. We’ll have some special treats to post here from time to time (do check out my Turntable blog – just scroll down from here).
This should be a new year for communication – you ask and I’ll answer when I have the opportunity so write me about what is going on: charlie@charliehadenmusic.com
Our voices may be in the minority because that’s our fate, but our hopes are in the majority because that’s our will.
Solid Jackson! – CH
*Gates=Bebop term for Jazz Musician
